CHARITY CANVAS

Picture A Better Future

Charity Canvas is an enterprise founded on the principles of giving,

transparency, and a whole lot of love. Our mission is to expand charitable

giving by enhancing the experience of donating.

ORIGINAL ARTWORK

We create original works of art inspired by causes we care deeply about,

and then sell prints of our artwork to raise money for those causes. Fifty

percent of the revenue derived from each sale is donated to a charity that

supports the cause the artwork represents.

FEATURED ARTWORK

We also feature talented and socially conscious artists. Twenty-Five percent

of the revenue derived from each sale of a featured piece is donated to a

charity the customer chooses. Additionally, Twenty-Five percent of the

revenue goes back to the artist that created the artwork.

A Charity Canvas is more than a picture on a page--it is a painting with a

purpose. It provides a beautiful and lasting reminder of an important cause,

as well as a reminder of the generosity and the gratification that comes with

giving. Each Charity Canvas is printed on premium museum quality archival

paper, mat framed and hand packaged in 100% recyclable material.

The charities we support are selected with careful consideration. Each

charity is thoroughly vetted by independent monitoring organizations

to ensure fiscal responsibility, efficacy and transparency. These charities

are dedicated to such causes as finding a cure for breast cancer, ending

world hunger, supporting children with life-threatening diseases, aiding

refugees, and preventing LGBTQ youth suicide.

THE FLOWER COLLECTION

SPRING / SUMMER 2017

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Flowers symbolize the gift of life. They comfort the sick, celebrate those in love, congratulate

the successful, and help remember those no longer with us. Flowers are the

common denominator of life’s most important moments, and because of this, flowers

blanket the paintings of the Charity Canvas Spring / Summer 2017 Collection.

THE FLOWER GIRL

This Char ity Canva s i s inspired by the s treng th and res i l ience of chi ldre n suf fe ring

f rom cance r and othe r l i f e threatening di s eases . F LOWER GIRL donates 50%

of i t s revenue to St . Jude’s Chi ldren Hospi tal . T he FLOWER GIRL paint ing i s the

f ir st Char ity Canva s , and it inspired the c reat ion of the company.

BARBED BOUQUET

This Char ity Canva s i s inspired by the c ur rent re fugee c r i s i s that i s af fec t ing mi l -

l ions of peopl e around the world . BARBED BOUQUET donates 50% of i t s revenue

t o the Inte rnat ional Rescue Commi t tee . Barbed wire , w i th clus te rs o f shor t sharp

spikes , i s o f ten us ed to make fences and blockades in an e f for t t o l imi t re fugees

f rom migrat ing t o safet y. In thi s paint ing, barbed wire on the bouquet represent s

constr ic t ion- prevent ing a natural occur rence f rom happening - suf focat ing both

beaut y and g rowth .

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PETALS

This Char ity Canva s i s inspired by the s treng th of wome n living w i th or who

have suf fe red f rom breast cance r. PETALS donates 50% of i t s revenue t o the

Breast Cancer Res earch Foundat ion .

DAHLIA

This Char ity Canva s i s inspired by the s tor ies o f sui c ide sur vivor s in the LGBTQ

youth communit y. DAHLIA donates 50% of i t s revenue to The Trevor Proj ec t. The

semicolon tat too represent s sui c idal sur vivor ship. “A semicolon i s u s ed when an

author could’ve chos e n to end the i r sentence , but chos e not to. The author i s you

and the sentence i s your l i f e .” –Proj ec t Semicolon

TIKKUN OLAM

This Char ity Canva s i s inspired by the caus e t o feed the hungr y in New York Cit y.

TIKKUN OLAM donates 50% of i t s revenue t o the Food Bank for New York Cit y.

Tikkun Olam is a Jewi sh concept d e f ined by ac t s o f kindness pe r formed to pe r fec t

or repai r the world . Prove rbs 2 8 : 2 7 i s insc r ibed on the handl e , and translated

f rom Lat in to Eng l i s h it reads : “Those who g ive t o the poor w i l l lack nothing, but

those who clos e the i r eyes t o them rece ive many cur s es .”

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